I Released an EP!

This is actually old news. I released Love Songs EP in May of this year. It’s my fourth singer-songwriter EP, and I’m very proud of it. I had a CD release show at the Contented Cow in Northfield where I shared the stage with Bryn Battani and Mary Clare Stroh. It was an amazing night!

I’ve performed a lot over the years, and as I’m writing I’m constantly trying out songs in live settings. Some songs I play a few times, lose interest, and never play again. Some I like right away and they become a mainstay. These songs are constantly developing as I perform them, which is why I don’t record a song at first. I keep tweaking them over time until I’m done. Then I can record.

This latest EP is a collection of my best folk songs written during my college years (2018 – 2020). The title of Love Songs is meant to poke fun at the cliche of singer-songwriter types only writing sappy love songs, but it also refers to the songs themselves. Passersby is your typical love song about romantic love, Loaded Gun is about loving someone going through a hard time, Gratitude is about love of life, Football is about platonic love, and Moonshine is about self love.

I think it’s some of my best work and I would appreciate you checking it out! Love Songs EP is available everywhere.



Just Do It

I haven’t dropped a singer-songwriter track since May of 2019. Since then I’ve been working on other projects, releasing videos, and finishing up my degree. It’s easy to use busyness as an excuse, but it doesn’t tell the full story. As someone who has watched six hours of Squid Game in one day, I can tell you it’s not a lack of time.

A couple of months ago I was planning to buy a new microphone specifically for my singer-songwriter EP. I had been using an MXL 990 to record my acoustic ($100), and I was excited to upgrade. An unexpected expense ate that money up and I was frustrated. I didn’t feel like recording the old way, and I even considered shelfing the project until I had better gear. Also, I was toying with the idea of turning my EP into an album, possibly recording a full band and having a bigger release.

These two excuses gave me the instant gratificaiton of being able to delay my work, and it came with the added bonus that I could imagine my work being better for it. So I didn’t have to do anything in the present, but on a far distant day, I would have something amazing.

The problem with this of course is that I continue to do nothing. There are some situations where perhaps it would make sense to wait, but in my personal experience, it’s never been justified. Regardless of the gear you have, the idea that waiting is going to help you make something better in the future is flawed. Making stuff is how you get better. You can always get new gear later on, but in the meantime you can be improving for free.

Your reservation might be that you have a really good song or concept that needs to be exactly right before coming out. If that’s the case, you can write and release other things. Just don’t let that be an excuse and lose momentum. Also, it’s worth mentioning that songs I wanted to save two years ago, I wouldn’t even release now. Your tastes evolve as you keep creating.

So, after countless roadblocks and excuses, I’m finally recording my EP. It’s already an improvement from my last project, but I still find myself making excuses. It’s not going to be perfect, but it is going to be done, and that’s enough.

My Internship with the Minnesota Music Coalition

I am extremely blessed to be an intern with the Minnesota Music Coalition. Their mission is to support Minnesota musicians by creating a statewide network, offering educational resources, paid performances, and other opportunities.

I first heard of the MMC when I attended a Caravan Du Nord in Faribault. Caravan Du Nord is a traveling showcase of Minnesotan artists. It features local legends like Reina Del Cid, while also putting the spotlight on up-and-coming acts like Kaleb Braun-schultz. These events frequently take place in smaller towns like Red Wing and Austin, bringing great music to places that don’t often get it.

This bringing of music to small towns is what first excited me about the MMC. I was thrilled when I learned that Frankie Lee, an artist heard on the Current, was going to be playing in my hometown. It wasn’t so much that I was a fan of Frankie Lee, but that an artist of that success could be seen in Faribault. I was used to driving 45 minutes to see ANY show, let alone someone well known. It caught my attention.

That was a few years ago and now I’m an intern helping to put on Caravan Du Nord events all across Minnesota. It’s been an absolute pleasure attending workshops, meeting artists, watching shows, and trying my best to be useful. I’m not sure what the future holds, but I’m happy to be where I am!

My Musical Goals: 2021

I’m sitting in a room at my parents’ house right now, and I just finished a beat. I’m moving out soon and much of my stuff is packed. I’m listening to Tycho on headphones (Epoch). He’s been my go-to writing music ever since I started this blog in 2018. Since then, I’ve learned so much, and there’s a lot I want to accomplish. Here are my musical goals for 2021.

1) Be a singer-songwriter again. I started performing as a singer-songwriter in 2013, and because of the pandemic, I barely played in 2020. I found myself writing less for my singer-songwriter name and focusing more on beats and electronic music. I love writing electronically, but I want to come back to guitar and voice, too. There’s something personal and uniquely expressive about playing guitar and singing. In general, I want to sing more.

2) Collaborate with other artists. Working with people on Songs From Home was a really cool experience. I loved hearing my instrumentals come to life and the surprising directions they went. I haven’t worked with a rapper since 2014, and I really want to change that. I’ve been stockpiling rap beats and in February I’m going to start reaching out. I’m not trying to sell anything at first; I’ll be DMing talented locals with free beats and see if there’s any interest. In the future, I’d love to work with all kinds of singers and musicians.

3) Create consistent content. Every teacher, vlogger, YouTuber, and Gary V will tell you about the importance of content creation. I’ve done the random Instagram post, blog, or video, but it hasn’t been consistent in awhile. In 2018 I released a video and blog post every week for months and that was awesome; I want to return to that level of output. My goal now is to make a weekly YouTube video and take clips of it for microcontent on Instagram. I’m hoping to slowly build a following and get better at consistent creation.

4) Get an internship / volunteer. I graduated with my Bachelor’s of Science in Music Industry, and now I’m ready to be rich! And by rich I mean gainfully employed (but first, an internship). In my projects class I focused on the licensing side of music, but recently I’ve been interested in non-profits like Musicians on Call and the Harmony Project. I’m also excited for volunteer opportunities like working at Big Turn Music Festival. There’s a lot of people that need help and endless ways to get involved.

Whichever way I go, I’m excited to learn more about these fields and be part of a world I love. Thanks for following my journey!

2020 Year End Review

I know one day doesn’t really mean anything, but for a lot of us it’s the end of a terrible year and it feels like things will get better. I certainly hope so. 2020 has been rough on us all, but today I want to focus on the good parts.

For me the best part of 2020 was exploding creatively. I wrote 50 songs this year and released 17 of them. That includes the Beat Station EP, Songs From Home, Finals Week, and two singles (It’s Fall, and Covidween). Starting in June I wrote two songs a week and was able to continue for most of the year. I broke the mental block of being precious about my songwriting and was finally able to write without second guessing myself and judging every step. My Beat Station challenge of writing only at the coffee shop pushed me in the right direction; I was forced to make those songwriting decisions in the moment since I couldn’t make them later.

After releasing Songs From Home I was excited to get back into demo writing. It was here that I took the “Finish a song even if it’s bad” mantra to heart. After spending so much time agonizing over perfect mixes, writing a lot and not judging the result was like medicine. One of the coolest discoveries of writing songs even if they’re bad is that sometimes a “bad” song will turn into a “good” song by the time you’re done. The reverse is also true, but that’s why consistent writing is so important. I always heard this advice, but only in 2020 did I internalize it.

I had the awesome opportunity to perform on KEYC in Mankato, a local news network. And I had my songs played on Keepin’ It Local 89.7, a show on the MSU radio station. They even played the entire Finals Week EP. How cool is that? I also got some press for Songs From Home from Mankato Life and Faribault Daily News. It was really cool to have my music played and recognized locally.

Perhaps my biggest accomplishment of the year was getting my Bachelors in Music Industry from MSU. I started my college journey in 2018 with a music theory class and later made the decision to fully enroll. My plans for 2021 are to write a ton of music, work with rappers and artists, and learn more about the licensing side of the business.

Thanks for reading my highlight reel of the worst year ever. Here’s to an amazing 2021!

Making a Lofi EP

This December I graduated college and I celebrated by releasing a lofi EP. I wanted something commemorative of the college experience, and what better way than by making chill beats to study / relax to? Not to mention, I love lofi. I dropped it during finals week in the hopes of attracting more student listeners.

I started the writing process in June. I know firsthand the annoyance of putting together an EP and not liking all of the songs. I usually handle this by releasing fewer songs or by writing more, but this time I tackled the problem upfront. I committed to writing 20 songs and only releasing the best. This helped me relax while writing since each song carried less weight. I wasn’t too hard about whether or not I liked what I had; my goal was to finish two demos a week, good or bad. This gave me more freedom to experiment.

After I had my 20 demos, I found several that I could eliminate instantly. They were good songs that didn’t fit the lofi aesthetic for varying reasons: too exciting, too high energy, too much dynamic range, and a few that I just wanted to develop into hip hop beats. Writing a lot of tracks made it easy to finish these ideas as they came along rather than scrapping them on the spot. Especially after I had a handful I liked, it was nice to write without any sense of needing it to be good or having it fit in a particular way.

I eliminated seven songs for genre reasons and one because it was a remix (Misty by Ella Fitzgerald). I wanted to have five to eight songs. There were some I planned to include from the start (Morning Dew, Breakfast Brew, Halloween Chillin), and for the others I relied on Instagram polls. I had eight songs selected, but as the deadline got closer I narrowed it down to five. I was on the fence about a couple and opted for quality over quantity. The project is only 9 minutes long, but I think I made the right choice.

I’m happy with the outcome and I hope you can enjoy these songs while studying, relaxing, drinking coffee, or watching the snow fall.

Finals Week Available Everywhere.