It Takes Practice

This Summer, I started teaching guitar lessons. It’s been interesting learning guitar again through beginners’ eyes and hearing their perspectives. A variation of this question comes up again and again: “What’s the secret?” When they’re struggling, beginner’s tend to think that they’re doing something wrong; they want a quick tip or trick that’ll resolve everything.

The answer I give rarely satisfies them, but it’s the only answer that’s true. “There’s no secret. You just need to keep practicing.” Practicing new material can be frustrating because we’re constantly rubbing up against our own limitations: hitting wrong notes, missing rhythms, and having to work on the same parts again and again. It can be a daunting process, but it’s how we grow.

Audio production and mixing is one of those areas where it’s tempting to think you can just have someone explain it to you and you’ll be able to execute it perfectly. Afterall, mixing is more of a technical skill. You’re turning knobs; you just need to know what everything does and then you’re good to go, right? Wrong. It’s more of an art than people realize, and an ear for mixing needs to be developed just like a musical ear.

This concept also applies to genres. Someone can absolutely crush it at lofi, but when they try to make EDM, they struggle. This comes from a lack of experience in that genre. There’s definitely mixing and sound design skills that carry over from genre to genre, but when writing in an unfamiliar style, you’ll have a lot of new questions. I often hear people say that they are bad at a particular genre. They accept it as an unchangable fact about themselves, when in reality they probably just haven’t practiced it enough.

So whatever it is that you want to improve about yourself, there is no secret sauce that will make everything easier. I only have one tip to give you: it takes practice.

My Musical Goals: 2021

I’m sitting in a room at my parents’ house right now, and I just finished a beat. I’m moving out soon and much of my stuff is packed. I’m listening to Tycho on headphones (Epoch). He’s been my go-to writing music ever since I started this blog in 2018. Since then, I’ve learned so much, and there’s a lot I want to accomplish. Here are my musical goals for 2021.

1) Be a singer-songwriter again. I started performing as a singer-songwriter in 2013, and because of the pandemic, I barely played in 2020. I found myself writing less for my singer-songwriter name and focusing more on beats and electronic music. I love writing electronically, but I want to come back to guitar and voice, too. There’s something personal and uniquely expressive about playing guitar and singing. In general, I want to sing more.

2) Collaborate with other artists. Working with people on Songs From Home was a really cool experience. I loved hearing my instrumentals come to life and the surprising directions they went. I haven’t worked with a rapper since 2014, and I really want to change that. I’ve been stockpiling rap beats and in February I’m going to start reaching out. I’m not trying to sell anything at first; I’ll be DMing talented locals with free beats and see if there’s any interest. In the future, I’d love to work with all kinds of singers and musicians.

3) Create consistent content. Every teacher, vlogger, YouTuber, and Gary V will tell you about the importance of content creation. I’ve done the random Instagram post, blog, or video, but it hasn’t been consistent in awhile. In 2018 I released a video and blog post every week for months and that was awesome; I want to return to that level of output. My goal now is to make a weekly YouTube video and take clips of it for microcontent on Instagram. I’m hoping to slowly build a following and get better at consistent creation.

4) Get an internship / volunteer. I graduated with my Bachelor’s of Science in Music Industry, and now I’m ready to be rich! And by rich I mean gainfully employed (but first, an internship). In my projects class I focused on the licensing side of music, but recently I’ve been interested in non-profits like Musicians on Call and the Harmony Project. I’m also excited for volunteer opportunities like working at Big Turn Music Festival. There’s a lot of people that need help and endless ways to get involved.

Whichever way I go, I’m excited to learn more about these fields and be part of a world I love. Thanks for following my journey!

Beat Station EP

My creative projects fell through the cracks during my Fall semester.  Understandably, I was busy with work and school.  Over break I knew I’d have a lot more free time to make music, but I also knew I’d waste that time without a plan.  Thus, the Beat Station was born.  My guidelines were simple: I had to write an EP of electronic music, but I could only write songs while at the Fillin’ Station Coffeehouse.  I could do mixing, layering, and tweaking at home, but not songwriting.

The main reason for this project was to help me finish songs.  I’ve mentioned before that one of my struggles is indecision in songwriting.  Only being able to write at a specific place helped me to hunker down and make decisions.  A lot of times I’d be working and think, “Oh crap, they’re closing in an hour and I won’t be able to come here for a few days.  I need to finish this.”  When a song is coming along, you want to finish it, but being able to work on it whenever you want makes it easy to procrastinate.

This was also a great excuse for me to document something.  My teachers always talk about the importance of documenting, but I never really did it.  Suddenly I had a story to tell about my songwriting challenge, and lots of opportunities for pictures and footage in the coffee shop.  I made three videos about the experience and lots of social media posts.

In retrospect, this challenge wasn’t ideal for my songwriting goals.  Since I was releasing an EP, not only did I need to finish four songs, I had to produce, mix, and master them. That takes a ton of time, and I wanted to focus more on songwriting.  Typically when I write an EP, I write more songs than will actually be included.  That way I can pick the best ones to release.  In this project I wrote four songs and released four songs, so I didn’t have room to curate.  Going forward, I may do something similar, but with the goal of finishing demos.  At the end of the writing phase, I can pick the best ones to produce and release.


I went into this knowing I wouldn’t do it perfectly, but that I would learn what to work on for next time, not from YouTube videos or by sitting around thinking, but by doing it and seeing the results.  This turned out better than I hoped, and now I know how to improve.

Now available everywhere.